Wednesday, July 27, 2011

Textures, backgrounds, and people in space

While struggling to make the background of a figurative piece more interesting, I have dabbled in abstraction with patterns from nature, blinds, text, wallpaper, wet on wet flowing colors. I'm partial to the white background, and not just because it's easy. The figure stands out and gets all the attention. It's like an Avendon portrait that way.

But here is an artist who makes something in his backgrounds that I like:

Matthew Woodson is his name. You can find his stuff at www.ghostco.org

He's a professional illustrator. In these two examples he's used wallpaper patterns which certainly put the figure in a setting. 

Perhaps my problem with backgrounds is that they put a person into a definable space and I'd rather leave them floating about.
Can you think of a piece of art that has grabbed your attention with the background?
Post a comment below! - Attach an image/ link if you can.












Friday, July 22, 2011

Contemporary Native artist, bold and pop-ish

In college I did a paper on George Longfish. Today I found this image from a relatively recent show of his.

© G. Longfish
Looking for the Supreme Buffalo Burger
His work addresses spirituality of the past and present for the native peoples...

Wednesday, July 20, 2011

Cherry Hood video, painting miniatures

Follow this link to see a short video about my favorite watercolorist, Cherry Hood.
She usually does these beautiful, loose and bright portraits that inspire me with their boldness and confrontation.
Currently she is painting small landscapes of Australia, but not in a boring way.

Tuesday, July 12, 2011

Monochrome Portrait

This is an 11 x 14 painting.
©2011 Josh McCallister
Virgil
Watercolor on paper, 14 x 11
This can be categorized as "self promotion" - I use it to solicit commissions.

A finished(?) painting

©2011 Josh McCallister
Karima
Watercolor on paper, 18 x 13

I really liked how this turned out. I'm only wondering if I should add anything to the white background. Usually the portrait backgrounds are white, and I like that effect. People have sometimes commented that they look unfinished that way.